My favorite ex got married a few months ago. We broke up long ago (if you’ve been with bogey from the beginning you might remember him) but you can’t spend five years with someone unless you really like them, and when he first told me he was getting married I kept waiting for nostalgia or resentment or even envy. Most everyone I’ve dated is now married and it has never occurred to me to care, but I felt I owed him—or rather I owed the us-as-was—an attempt at appropriate emotion. Try as I did, though, all there was to it was happiness and the narrative satisfaction of loose ends neatly tied together.
Then the wedding happened, and there were pictures, and there were comments on those pictures (by various random humans) about how he had “saved the best for the last” and that was when my temper flared. It was comforting, after the stormy year I’ve had, to finally feel a small sorrow, and I started listening to the song in pursuit of a pleasantly maudlin night. I soon discovered I was “some silly girl” and growled I am a fucking woman and took the whole thing very personally indeed. It hurts to be reduced into a trivial obstacle in the drama of someone else’s life; it’s the sort of thing most of us know about ourselves even as we rarely face the full shattering reality of it. Other people, so to say, are always already the reserve army of emotional labor, and all it means to honestly love someone is to convince them that they are not expendable.
This past year I tried, belligerently and often ridiculously, to do precisely that—and it was the hardest thing, bar none, that I’ve ever done. But there’s no convincing people that prefer to remain indifferent; there’s only accepting it, which sounds perfectly obvious until you live through the knowledge that the person you love has no space for you in their life and is willing to be quite ruthless about it. (It took Hegel to teach me about indifference, because I am a very deep idiot.) The how, why, and where of it all requires rather more backstory that I’m willing to go into but essentially what happened last year was that two people I trusted beyond all reason betrayed that trust within a few months of one another and I lost my mind. Around the same time, I was harassed, if that’s the word, with devastating intimacy, by someone (else) who had clearly been far more attentive to my online existence (and those of the people in my life) than I had. It wasn’t all a coincidence, it was a… whirlpool. There were a lot of emails, there was a breach of privacy, there was a great deal of embarrassment; it wasn’t threatening, but it went on for far too long and eventually there was the grim vulnerability of knowing I had handed someone the weapons with which they hurt me.
At this point, I could have taken down bogey, deleted my social media, and gone to ground. I almost did. Perhaps, in retrospect, I ought to have. At the time, though, that felt like defeat—and I can be, have you noticed, a pretty pugnacious human. So I stuck around, made my jokes and my peace, and figured I would get over it and start publishing again; I was certainly writing enough, if not quite well enough. Each time I got to a pitch or a byline, though, I stalled. Last year’s post took me six weeks to upload, and the thought of actually publishing something made me feel horribly exposed. It took Aisha weeks to convince me to publish the Shape of Water review, and the only way I can cobble together Advocate editorials is by writing boring and/or obvious ones.
Speaking of that review— the first essay I published under my own name after the Deccan history essay last February— the title of this post was the working title on it, born as it was from a year in which it felt like I all was doing was throwing some sort of very principled tantrum even as I was utterly unable to say something (anything!) that might actually matter and that might give me some pride rather than steadily deplete it. I can’t quite explain it, if anything twitter ought to make me feel more vulnerable than writing a bogey-post six people will read. And so it does, but for precisely that reason it’s easier to feel brave (or something) every time I log in. In the act of preserving my right to have a voice, I seem to have lost my actual voice— I began bogey to be a writer, but these days I feel like I kept bogey and lost the writing.
Keyezua, “Fortia,” 2017
A lot of this exhausting year has been about scavenging a life from the debris of my previous one. I’ve spent so long trying to sort out the kind of life I can have that I lost sight of the one I want to have. I don’t regret it; I would do it all again, fall in love, risk a broken heart, even sacrifice my dignity until it began to feel like I simply had none left. (I do, of course, I have enough dignity to drown a dromedary.) But somewhere along the way I began to… disintegrate, and it’s time to admit a measure of defeat. I’m, well, scared. Not of anyone else, all that’s sorted, just for myself. The past two summers have been bleak, and I don’t know what to do with this one except retreat and hope to emerge with some wisdom, some wit, some discipline. Which brings me roundabout to my point.
I don’t know much, but I do know this: I want to build a life I won’t eventually need to delete. I have erased novels and voices and cities and lovers and careers and I am just fucking done. And I want to write; since I can’t make myself write posts or essays, I’m writing letters. To you lot, to those of you who want them, anyhow. Mostly I’m doing this for the structure of it, and I’ll be quite content writing into a void, so long as I can pretend to myself it isn’t one, which was always the point of bogey anyway. I’m also kicking myself off the internet once I get home in June, so if you want me, this is where I’ll be. I’ll send one every Thursday starting next week, until September— and there will be no archives. If you see this in July or something and want to catch up; write me and if I know you we can work something out. If we’ve never interacted, I apologize for being rude, but I won’t respond.
The letters won’t be all about my life or anything, which is in any case not that interesting. It’ll mostly be stuff I’m reading and thinking through—some of which will be tinged with the personal; it’s just how I’m writing these days, especially with the exciting state of feminism—so they’ll be some sort of cross between my twitter account and what bogey used to be. I expect them to be much shorter than the traditional bogey post (certainly this one) and far chattier, but I tend to get obsessed with whatever I’m working on, so mostly it’ll be me blathering about trains or mythology or legal reasoning or fossils or whatever. If I get too arcane, please do write me, and I’ll fix it in the next letter and explain and so on. I desperately want to find my way back to writing for non-academic audiences and I’ll very much appreciate all the help I can get. Again, if I don’t know you and you email me: I will read, but I won’t respond, at least not directly. I’m sorry to sound pompous, it’s not that I think I’m above reproach or debate, I just need the space and silent strangers.
Below the fold, belying all that I just said, is a very academic thingamajig about Adorno’s reading of Kant, which is such a beautiful piece of philosophizing I thought it was the perfect way to start and couldn’t bring myself to tamper with it by simplifying it any further. I can, however, alert you to the stakes, so I’ll do that first.
ChaosBogey 